Leo Ornstein Quotes

I distrust anything that you don't hear.
Leo Ornstein

We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising.
Leo Ornstein

Nothing, Cannot, Else

By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There's no specific line, as you know.
Leo Ornstein

Between, Difficult, Point

A person improvising is sometimes very fortunate that just at that second things coincide.
Leo Ornstein

Person, Sometimes, Second

Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.
Leo Ornstein

Music, Write, Call

Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.
Leo Ornstein

Together, Put, Fact

But in the end, music is ultimately an aural art, pure and simple.
Leo Ornstein

Music, Art, Simple

By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.
Leo Ornstein

Hear, Visual, Pattern

Hopefully, I have a certain amount of what you call musical talent.
Leo Ornstein

Talent, Call, Musical

I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing.
Leo Ornstein

Music, Try, Piece

I think there have been some periods when the writing almost became a bit of a burden.
Leo Ornstein

Writing, Almost, Bit

I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.
Leo Ornstein

Music, Writing, Reason

Improvisation is terribly haphazard.
Leo Ornstein

Terribly, Haphazard

In writing music, the structure of each piece is a very important factor.
Leo Ornstein

Music, Important, Writing

It doesn't necessarily mean at all that the composer plays his own works best.
Leo Ornstein

Best, Mean, Works

No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.
Leo Ornstein

Music, Person, Write

Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.
Leo Ornstein

Sometimes, Another, Between

Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.
Leo Ornstein

Trying, Makes, Talking

Of all the arts, music is really the most abstract.
Leo Ornstein

Music, Arts, Abstract

The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get.
Leo Ornstein

Experience, Sometimes, Become

The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.
Leo Ornstein

Between, Student, Born

There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.
Leo Ornstein

Music, Concerned, Amount

To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision.
Leo Ornstein

Person, Down, Whole

Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.
Leo Ornstein

Today, Trying, Language

Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.
Leo Ornstein

Music, Today, Enough

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Biography

Nationality: American

Born: December 2, 1892

Died: February 24, 2002

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Cite this Page: Citation

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